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This volume shows how the theoretical ideas of three famed psychologists evolved from the scientific base envisioned by Freud into different belief systems based on clinical observations by their practitioners. Davis traces ideas and influences that provided the context in which depth psychology evolved. Following in the footsteps of great philosophers, like Nietzsche and Schopenhauer, Jung and Freud helped set the stage for the postmodern world, with their emphasis on the role in human psychology of the irrational, unconscious, instinctual, fantasy, and mythology. Unlike Freud and Jung, who clung tenaciously to the belief that they were scientists creating universal theories of human behavior, Hillman does not share that illusion. Hillman finds his inspiration in Renaissance philosophers and romantic poets.

Placing the three men's work in context with a history of ideas in their respective periods, Davis aims to present an academic and objective view of the depth psychologists. Included are some of the familial, social, and cultural factors that influenced thinking by Freud, Jung, and Hillman.

  • Sales Rank: #2700258 in Books
  • Published on: 2003-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .63" w x 6.14" l, 1.19 pounds
  • Binding: Hardcover
  • 264 pages

Review
"Lower-division undergraduates and general readers."-Choice

?Lower-division undergraduates and general readers.?-Choice

"Davis did an unusually clear, accurate and deep account of what I have been trying to do all these years. His work is excellent!!!"-Jame Hillman

About the Author

ROBERT H. DAVIS is a past Professor of Psychology and Assistant Provost as well as Director of Instructional Development and Telecommunications Services at Michigan State University.

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Rabu, 29 April 2015

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  • Sales Rank: #4759998 in Books
  • Published on: 1987-12
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 161 pages

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Haida Monumental Art: Villages of the Queen Charlotte Islands, by George F. MacDonald

The Haida of the Queen Charlotte Islands in British Columbia constructed some of the most magnificent houses and erected some of the most beautifully carved totem poles on the Northwest Coast. During the last quarter of the nineteenth century, images of the Haida's immense cedar houses and soaring totem poles were captured by photographers who travelled to then-remote villages such as Masset and Skidegate to marvel at, and record, what they saw there.

Haida Monumental Art, initially published as a limited edition hardcover and now available in paperback, includes a large number of these remarkable photographs. They depict the Haida villages at the height of their glory and records their tragic deterioration only a few decades later. As well, this edition contains the complete text from the first edition, including site plans and detailed descriptions of fifteen major villages and several smaller sites, which are catalogued by house and pole. By combining archeology and ethnohistory, George MacDonald presents an integrated framework for understanding the physical structure of a Haida village. He explains how the houses and poles are part of a fascinating web of myth, family history and Haida cosmology, which provides a unique insight into Haida culture.

  • Sales Rank: #1392286 in Books
  • Published on: 1994-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x 12.25" w x .75" l, 3.70 pounds
  • Binding: Paperback
  • 218 pages

From Library Journal
MacDonald, director of the Canadian Museum of Civilization in Ottawa, here offers a photographic-rich history of the totem poles and log house carvings of the Haida Indians of Queen Charlotte Islands in British Columbia. Published in a limited hardcover edition in 1983, this marks the book's paperback debut.
Copyright 1995 Reed Business Information, Inc.

Review

The Haida of the Queen Charlotte Islands in British Columbia constructed some of the most magnificent houses and erected some of the most beautifully carved totem poles on the Northwest Coast. During the last quarter of the nineteenth-century, images of the Haida's immense cedar houses and soaring totem poles were captured, first on glass plates and later on film, by photographers who travelled to then-remote villages such as Masset and Skidegate to marvel at, and record, what they saw there.

Haida Monumental Art, initially published as a limited edition hardcover and finally available in paperback, includes a large number of these remarkable photographs, selected from a collection of over 10,000 original prints and photographic plates. They depict the Haida villages at the height of their glory and record their tragic deterioration only a few decades later. As well, this edition contains the complete text from the first edition, including site plans and detailed descriptions of fifteen major villages and several smaller sites, which are catalogued by house and pole.

By combining archeology and ethnohistory, George MacDonald presents an integrated framework for understanding the physical structure of a Haida village. He explains how the houses and poles are part of a fascinating web of myth, family history and Haida cosmology, which provides a unique insight into Haida culture.

About the Author
George F. MacDonald is an anthropologist and was the director of the Canadian Museum of Civilization from 1983-1998.

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0 of 0 people found the following review helpful.
great book, i recommand for the text and
By yuzo
great book , i recommand for the text and pictures

0 of 0 people found the following review helpful.
Five Stars
By Brian A. Harris
Excellent

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  • Sales Rank: #4090190 in Books
  • Published on: 2000-02-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.35" h x .47" w x 8.50" l, .39 pounds
  • Binding: Paperback
  • 160 pages

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Illiterate and poor, the daughter of a herdsman in 19th century Brazil, Anita Ribeiro was lifted from a life of obscurity to one that is the stuff of romance and adventure. When she and a young Italian exile by the name of Captain Garibaldi met in 1839, they joined in the cause of founding a Brazilian republic. Later they went on to lead the defense of Montevideo from an Argentine siege―just one episode among many in their idealistic, nationalistic crusade in a time of immense revolutionary upheaval. It was Anita who taught Garibaldi the guerrilla ways of the gauchos, and they lived as man and wife through a series of adventure and wars. Returning to Italy in 1848 to fight for a united republican Italy, as revolution swept throughout Europe, Anita and Garibaldi were tragically separated by her untimely death the following year. Garibaldi went on to ultimate fame as the father of modern Italy―while Anita's story drifted into the mists of legend. This book, the first full biography of the remarkable life of Anita Garibaldi, tells the true story of a fascinating and important woman.

  • Sales Rank: #3753416 in Books
  • Published on: 2000-12-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.18" h x .72" w x 6.12" l, .85 pounds
  • Binding: Paperback
  • 248 pages

Review
"Anthony Valerio's genre-crossing biography provides unique insight into Anita Garibaldi's short, glorious life.' Valerio writes with a novelists dedication to character and an historian's dedication to the past. An unusual book for a revolutionary woman."-Janet R. Jacobson Director Center for Research on Women Barnard College

"In Valerio's hand, Anita Garibaldi emerges as the courageous but vulnerable woman from Sao Paulo, Brazil, whose singular and precious spirit was caught in the times. Anita Garibaldi is a romance discovered in history's embrace. Valerio creates the Brazilian ethos in its emerald presence as the brilliant nerve in Garibaldi's brave but short time. This biography has a texture like a Renior film, broad and expansive, swimming along in voluble seas."-Afaa M. Weaver Simmons College Boston

About the Author

Anthony Valerio is the author of four books and numerous articles./e He has taught at New York University and the City University of New York.

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  • Sales Rank: #8235476 in Books
  • Published on: 1972-09-11
  • Original language: English
  • Number of items: 1
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Women in Business: The Changing Face of Leadership, by Patricia Werhane, Margaret Posig, Lisa Gundry, Laurel Ofstein, Elizabeth Powell

Female executives of large companies are still in short supply in the U.S., but they have made great strides in recent years and their number is growing. Patricia Werhane and four other leadership experts interviewed twenty-two prominent women―including executives at Kraft, Boeing, and Harley Davidson―to uncover their leadership styles, reveal their most effective practices, and find out how they broke through the glass ceiling. This celebration of stellar executives highlights their achievements, the values and visions that guide them, and the contributions they've made to both their companies and industries. Besides enjoying fascinating stories, readers―both men and women―will gain insights that help them manage and lead better.

Despite enormous strides in the status of women in business, female CEOs of Fortune 500 companies can be counted on two hands, and less than 15 percent of Fortune 500 board seats are held by women. These daunting statistics, however, belie another phenomenon: The iceberg of male domination in the boardroom is beginning to break up and melt. More and more women are assuming positions of real leadership. And it's none too soon. With the increasing diversity of the workforce, businesses need the wisdom successful female executives can offer. To encourage more women to step up to the plate, this book tells many stories of perseverance and inventiveness. But it digs deeper to reveal common qualities and characteristics that reflect a style of leadership that is in stark contrast―in every major dimension, from communication styles to team building to crisis management―to the traditional, white-male model that has dominated practice, theory, and management education. While men tend to be transactional leaders, the women profiled in this book are nothing less than inspiring, transformational leaders. The result is an incisive, engaging, thought-provoking, and ultimately empowering narrative that will serve as a guide for women now entering, progressing, and leading in the workplace―as well as the men with whom they work.

  • Sales Rank: #487040 in Books
  • Published on: 2007-10-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .56" w x 6.14" l, 1.06 pounds
  • Binding: Hardcover
  • 216 pages

From Booklist
This account of 22 women business leaders is academic in nature, profiling C-suite (or close) professionals who embody primary leadership accomplishments and values, from employee engagement to family-business balance. The female executives featured include Anne Arvia, CEO of ShoreBank; Sondra Healy, cochairman of TurtleWax; and Donna Zarcone, former president and COO of Harley Davidson Financial Services. Statistics and scholarly citations preview highlights of the interviewee’s business career, followed by a profile of her work history and personality, which is captured in direct quotes or through a paraphrase/analysis. The result? A somewhat overworked Midwest-centric narrative about noteworthy women leaders. --Barbara Jacobs

Review
"A collaborative effort of five female academics, this volume engagingly tells the stories of 22 women leaders in corporate and entrepreneurial roles. The book is based on interviews with these leaders and reports on their achievements, the values and visions they bring to and enact in their organizations, and the contributions they have made to the companies in which they hold leadership positions….This is a must read for anyone (regardless of gender, race, or ethnic background) wishing to gain a deeper understanding about leading and managing successfully in a global economy, but it will be of particular interest to those concerned with the growing influence of women in leadership positions….Highly recommended." - Choice

"Werhane et al. interviewed 22 women executives to get their thoughts on leadership styles and how they have broken through the glass ceiling. Each executive's story focuses on one aspect of her career or management style. They share ideas on coaching, mentoring, creativity, building a culture of trust, managing reputations, social commitment, being customer-centered, being a servant-leader, and many other refreshing takes on what has made them and their companies stand out….Women in Business is in the management genre, which makes it better suited for academic and larger public library business collections." - Library Journal

"Werhane (business ethics, DePaul U.) and her co-authors report on their interviews with 22 top women executives, detailing their commitment and perseverance in the face of what must have seemed at the time to be insurmountable odds….Both the interviewers and the interviewed firmly avoid cliches and stereotypes, making this lively and deeply informative." - SciTech Book News

About the Author

Patricia Werhane is the Wicklander Chair of Business Ethics and Director of the Institute for Business and Professional Ethics at DePaul University. She holds a joint appointment as the Peter and Adeline Ruffin Professor of Business Ethics and Senior Fellow at the Olsson Center for Applied Ethics at the Darden School, University of Virginia. She is the author or editor of sixteen books and the founder and former editor-in-chief of Business Ethics Quarterly.

Margaret Posig is an Associate Professor of Management in the Charles H. Kellstadt Graduate School of Business at DePaul University. Her articles have appeared in the Journal of Occupational Health Psychology, Women in Management Review, Journal of Managerial Issues, and the Journal of Business Ethics, among others. She teaches courses in organizational leadership and change management, and leadership in sports.

Lisa Gundry is Professor of Management in the Charles H. Kellstadt Graduate School of Business at DePaul University, where she teaches courses in creativity and innovation in business and entrepreneurship. She is the coauthor of five books and has published numerous journal articles and book chapters.

Laurel Ofstein is an Instructor in the Department of Management at the Charles H. Kellstadt Graduate School of Business at DePaul University, where she teaches courses in business creativity and entrepreneurship.

Elizabeth Powell is an Assistant Professor of Business Administration at the Darden Graduate School of Business Administration at the University of Virginia. The author of several case studies, she has presented her research at the Conference on Corporate Communication, the Management Communication Association, and the National Communication Association.

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"Caliphs to Kings" includes rarely seen Islamic objects ranging from textiles to ceramics to gold. Emphasizing themes of longevity, continuity, and transmission in the Islamic decorative arts and sciences of medieval Spain, the book includes works dating from the time of the Arab conquest of the Iberian Peninsula in the eighth century to the final phase of Muslim life in Spain in the sixteenth century. Objects from tenth-century Cordoba illustrate the creation of a unique court aesthetic under the caliphate that was widely copied by both Muslim and Christian rulers in the following centuries. Later works show the eclectic aesthetic, intellectual, and political culture that resulted from the Christian conquests in the eleventh to the fifteenth centuries of the cities of Andalusia. During the fourteenth and fifteenth centuries, Muslim craftsmen working both in the kingdom of Granada and for Christian patrons (the crown, nobility, and the Church) in Seville, Toledo, Cordoba, and Valencia produced some of the most beautiful and evocative ceramics and textiles of the time, items that were exported throughout Europe and served as models for silk and ceramic industries in regions including the Italian peninsula. Works of particular note include a tenth-century ivory pyxis from Cordoba, an early fifteenth-century armorial carpet from Murcia made for the queen of Argon, and two exquisite, illuminated Hebrew Bibles.

  • Sales Rank: #2227702 in Books
  • Published on: 2004-07
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: .95" h x 9.88" w x 10.68" l,
  • Binding: Hardcover
  • 178 pages

Review
"This sumptuously illustrated coffee table book features rarely seen Islamic objects dating from Spain's Moorish-dominated days, including richly-colored textiles, ceramics and items made of gold."--Spain, October 2006

About the Author
ART

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From monumental cathedrals to simple parish churches, perhaps as many as 100,000 churches and civic buildings were constructed in Mexico during the viceregal or colonial period (1535-1821). Many of these structures remain today as witnesses to the fruitful blending of Old and New World forms and styles that created an architecture of enduring vitality.

In this profusely illustrated book, Robert J. Mullen provides a much-needed overview of Mexican colonial architecture and its attendant sculpture. Writing with just the right level of detail for students and general readers, he places the architecture in its social and economic context. He shows how buildings in the larger cities remained closer to European designs, while buildings in the pueblos often included prehispanic indigenous elements.

This book grew out of the author's twenty-five-year exploration of Mexico's architectural and sculptural heritage. Combining an enthusiast's love for the subject with a scholar's care for accuracy, it is the perfect introduction to the full range of Mexico's colonial architecture.

  • Sales Rank: #1386172 in Books
  • Published on: 1997-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .63" w x 5.98" l, 1.01 pounds
  • Binding: Paperback
  • 279 pages

Review
"The late Robert J. Mullen has written a reliable, readable, and well-illustrated book that covers, in six chronological chapters, a selection of the major monuments of Mexican colonial architecture during the period from 1521 to independence." (Hispanic American Historical Review)

"This book is the first I know that addresses this architecture in one concise, readable volume.... It will be useful to students and travelers or simply people interested in the architecture of Mexico—a vast group." (Hal Box, W. L. Moody, Jr., Centennial Professor in Architecture, University of Texas at Austin)

Review
"This book is the first I know that addresses this architecture in one concise, readable volume.... It will be useful to students and travelers or simply people interested in the architecture of Mexico—a vast group." (Hal Box, W. L. Moody, Jr., Centennial Professor in Architecture, University of Texas at Austin)

About the Author
The late Robert J. Mullen was Associate Professor of Latin American Art and Architecture at the University of Texas at San Antonio and the author of The Architecture and Sculpture of Oaxaca: 1530s–1980s.

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2 of 2 people found the following review helpful.
A Good Book for the Viceregal Mexican Architecture Enthusiast
By Eli Hernandez, Jr
This book is filled with information regarding the architecture of Mexico in the 16th through the 19th centuries. It was required reading for an architecture course that I was enrolled in. While I found it to be a good read, it really seemed to be a long running visual analysis of the structures. Quickly running through one structure after another after another. The images in the book are all black and white, so it is difficult to appreciate the beauty and detail of the various facades.

With regards to how it was printed, after spending some time reading the book the spine cracked and separated from the pages. If this book was republished with color images and maybe a little less of the quick shotgun approach to evaluating the structures I would definitely rate it 5 stars.

1 of 6 people found the following review helpful.
Book design award winner
By A Customer
Jacket and book design: Heidi A. Haeuser. This book received Award of Excellence in dust jacket design at Southern Books Competition (1997-98).

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Selasa, 21 April 2015

@ Download Ebook The CIA in Hollywood: How the Agency Shapes Film and Television, by Tricia Jenkins

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The CIA in Hollywood: How the Agency Shapes Film and Television, by Tricia Jenkins

What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s.

The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image.

  • Sales Rank: #557329 in Books
  • Published on: 2013-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .63" w x 6.00" l, .59 pounds
  • Binding: Paperback
  • 175 pages

Review
"In a fascinating, highly readable, and original new work, Tricia Jenkins takes on the seldom-explored topic of the Central Intelligence Agency's (CIA) relationship with Hollywood. While this may conjure up cloak-and-dagger images of secretive operations as befits the agency's image on big and little screens, Jenkins concentrates instead on how the CIA has (or has not) managed that image overtly, that is, through established, above board, public affairs channels and liaisons. Highly original and well researched, Jenkins's work makes a worthy contribution to the fledgling literature on this topic...Overall, Jenkins's work is fresh and original, and demonstrates sound scholarship. The author has a passion for the topic that translates to vibrant writing. It is also a concise as well as entertaining look at an aspect of the CIA--its media relations with Hollywood--of which little is known. Enthusiastically written and incorporating effective, illustrative case studies, The CIA in Hollywood is definitely recommended to students of film, media relations, the CIA, and U.S. interagency relations." - Marks Montesclaros, H-War "Argo and Zero Dark Thirty are only the latest film productions the CIA has influenced in the 15 years since the Agency opened its official liaison office to Hollywood. Tricia Jenkins examines the history of this version of "Hollywood confidential" in The CIA in Hollywood: How the Agency Shapes Film and Television. Short and dry, her book raises serious ethical and legal questions about the relationship between the CIA and Hollywood, and the extent to which we consume propaganda from one through the other." - Los Angeles Review of Books

About the Author
Tricia Jenkins is an assistant professor in the Film, Television, and Digital Media Department at Texas Christian University. She has published several articles on the CIA in Hollywood and on the spy genre more broadly.

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3 of 16 people found the following review helpful.
THe CIA in Hollywood
By Kay M. Boruff
Tricia, as a fellow "TCU frog," I'm eager to read your book. I lived in Viet-Nam 68-70 and was married to an Air Ameirca pilot killed flying in Laos 18 Feb 70. The New York Times in Frankfurt, Germany, as I flew home to bury Jon, read: CIA PILOT KILLED: FIRST CASUALTY PLAIN OF JARS. I too have been in Langley. Interesting. I'm curious why you didn't include HOMELAND in your book. It's very truthful--as true as anything you'll find out about the CIA. It took two years for me to receive Jon's files. And probably 20 years to learn the truth of Benghazi. Remember fiction is truer than NF. Enjoy the journey...on the "write" track.

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Kamis, 16 April 2015

^^ Free PDF Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China, by Eugene Y. Wang

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Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China, by Eugene Y. Wang

The Lotus Sutra has been the most widely read and most revered Buddhist scripture in East Asia since its translation in the third century. The miracles and parables in the "king of sutras" inspired a variety of images in China, in particular the sweeping compositions known as transformation tableaux that developed between the seventh and ninth centuries. Surviving examples in murals painted on cave walls or carved in relief on Buddhist monuments depict celestial journeys, bodily metamorphoses, cycles of rebirth, and the achievement of nirvana. Yet the cosmos revealed in these tableaux is strikingly different from that found in the text of the sutra. Shaping the Lotus Sutra explores this visual world.

Challenging long-held assumptions about Buddhist art, Eugene Wang treats it as a window to an animated and spirited world. Rather than focus on individual murals as isolated compositions, Wang views the entire body of pictures adorning a cave shrine or a pagoda as a visual mapping of an imaginary topography that encompasses different temporal and spatial domains. He demonstrates that the text of the Lotus Sutra does not fully explain the pictures and that a picture, or a series of them, constitutes its own "text." In exploring how religious pictures sublimate cultural aspirations, he shows that they can serve both political and religious agendas and that different social forces can co-exist within the same visual program. These pictures inspired meditative journeys through sophisticated formal devices such as mirroring, mapping, and spatial programming - analytical categories newly identified by Wang.

The book examines murals in cave shrines at Binglingsi and Dunhuang in northwestern China and relief sculptures in the grottoes of Yungang in Shanxi, on stelae from Sichuan, and on the Dragon-and-Tiger pagoda in Shandong, among other sites. By tracing formal impulses in medieval Chinese picture-making, such as topographic mapping and pictorial illusionism, the author pieces together a wide range of visual evidence and textual sources to reconstruct the medieval Chinese cognitive style and mental world. The book is ultimately a history of the Chinese imagination.

  • Sales Rank: #1187717 in Books
  • Published on: 2007-02-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.93" h x 1.11" w x 7.14" l, 2.84 pounds
  • Binding: Paperback
  • 536 pages

Review
"This is an original, productive approach to the study of medieval sacred space, and the book makes good on its promise to propose new theoretical models to analyze spatial and conceptual continuity above and below ground. As always, Wang's approach is fresh and provocative: his trenchant phrasing offers a new, sometimes idiosyncratic perspective on old material."―Journal of Asian Studies

"Shaping the Lotus Sutra is a beautifully illustrated book that connects a dazzling array of visual objects under the intellectual auspices of notions of Chinese medieval world making. . . . it offers a fresh and at time provocative perspective on unsolved problems of Chinese Buddhist art. . . . it is certain to foster more lively discussion and debate. And that is no small achievement."―Art Bulletin

"Shaping the Lotus Sutra provides novel perspectives for deciphering the medieval Buddhist representation."―Religious Studies Review

"Eugene Wang has written a challenging, clever, dense and provocative book that is bursting at the seams with insights and ideas. . . . The University of Washington Press deserves our thanks for producing this nicely-made book, which is profusely illustrated and not too expensive for what one gets."―Journal of the Royal Asiatic Society

"Eugene Wang has succeeded in producing a careful examination of the creation of paradisiacal imagery in the Lotus Sutra..Wang's accomplishment is considerable. Deftly, he applies literary, historical, and scriptural references to visual materials..Wang has achieved visual literacy in reading representations of the Lotus Sutra in medieval China."―Journal of Chinese Religions

"This book, abundantly illustrated, clarifies the intricate and complex relationships that link the Lotus Sutra with some of its medieval Chinese expressions. Exploration of these issues and themes would be enough to make this book a worthwhile study, but the real attraction here is the rich interpretive perspectives that Wang applies to medieval Chinese transformation tableaux. Staid scholarly views wither as he applies broad knowledge to his explication of Chinese imagery and the tangled relationship between text and image. This book is highly recommended for those who seek a markedly nuanced view of medieval Chinese Buddhist imagery, and its relationship to texts specifically and to medieval Chinese cultural more generally."―H-Net Reviews

"Wang's remarkable use of materials and sheer intellectual verve makes one almost feel as if the 1400-year-old Chinese mind has indeed been pried open and revealed its secrets.. Wang's elucidation of this world is a stunning work of intellectual bravado."―Journal of Asian History

"The scholarship embodied in Shaping the Lotus Sutra will have a significant impact on Buddhist art scholarship, raising it to a new level of sophistication, insight, and nuance."―Harvard Journal of Asiatic Studies

"The depth and breadth of the visual evidence [Wang] has marshaled is dazzling, as are the intricate connections he draws among the many sources, both literary and visual. . . . All in all, the book is an extraordinary achievement and a must for any collection with a global compass in religion and the arts."―Religion and the Arts

Review
"Ranges over a dazzling array of topics, all of them fascinating and all tied to the central goal of illuminating the visual logic of medieval Buddhist art."―Robert E. Harrist, Jr., Columbia University

"Shaping the Lotus Sutra ranges over a dazzling array of topics, all of them fascinating and all tied to the central goal of illuminating the visual logic of medieval Buddhist art."―Robert E. Harrist, Jr., Columbia University

"I react to Wang’s work like I do to Zizek's: I find it electrifying; it wakes me up to a whole new range of possibilities."―Jerome Silbergeld, Princeton University

"Shaping the Lotus Sutra explores what the medieval Chinese actually believed about spiritual matters, through careful analysis of artistic representations of its most beloved text, the Lotus Sutra, during the crucial early period of the development of Buddhism in China."―Amy McNair, University of Kansas

From the Inside Flap
The book examines murals in cave shrines at Binglingsi and Dunhuang in northwestern China and relief sculptures in the grottoes of Yungang in Shanxi, on stelae from Sichuan, and on the Dragon-and-Tiger pagoda in Shandong, among other sites. By tracing formal impulses in medieval Chinese picture-making, such as topographic mapping and pictorial illusionism, the author pieces together a wide range of visual evidence and textual sources to reconstruct the medieval Chinese cognitive style and mental world.

Most helpful customer reviews

11 of 14 people found the following review helpful.
For advanced students of Chinese Buddhism
By PBjW
This is an excellent treatment of the Lotus Sutra in Chinese art, primarily focusing on Dunhuang but of use to anyone who wants to gain a further understanding of medieval Chinese murals and sculpture. A basic knowledge of both Buddhism and Buddhist iconography is almost essential but a fast learning, highly motivated beginner would also find this book extremely helpful. No one going to all the trouble to visit the Dunhuang caves should go without reading this book, and anyone who finds this book hard reading or uninteresting with a trip to Dunhuang on their agenda, should choose another destination. For those interested in medieval Chinese Buddhist iconography and pictorial art, this book "pulls it all together" and is both readable and scholarly in its approach. Excellent photographs and detailed drawings to help one interpret the ancient paintings make this book an invaluable guidebook to Dunhuang or to any armchair traveller. A true find and a book one will be able to reread over and over again as one becomes an increasingly advanced student of the subject.

0 of 0 people found the following review helpful.
A fascinating work by a very thoughtful scholar. The ...
By Chenchen
A fascinating work by a very thoughtful scholar. The book analyzes and uncovers the underlying desire and demands hidden behind the Buddhist artworks in their historical context, thus providing the readers convincing answers to why and how these artworks were made.

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