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Known as the "Prince of Bummers," Leonard Cohen is a multi-talented poet, singer-songwriter, novelist, and Zen Buddhist whose career has spanned more than forty years and inspired countless other artists. In this critically acclaimed biography originally published in 1996 by Pantheon Books, Ira Nadel draws on extensive interviews with Cohen, as well as excerpts from his unpublished letters, journals, notebooks, songs, and other writings, to offer a full portrait of this enigmatic man and his artistic career. A new concluding chapter brings Cohen's story up-to-date, including the release of the albums Dear Heather, Ten New Songs, The Essential Leonard Cohen, and Blue Alert, as well as the publication of Book of Longing and the screening of the documentary film Leonard Cohen, I'm Your Man.
- Sales Rank: #1995700 in Books
- Published on: 2007-10-01
- Original language: English
- Number of items: 1
- Dimensions: 9.13" h x .91" w x 6.00" l, 1.38 pounds
- Binding: Paperback
- 336 pages
From Publishers Weekly
The flamboyant life of Canadian singer/ songwriter, poet and novelist Leonard Cohen (b. 1934) is given straightforward treatment in this authorized biography by Nadel, a book reviewer for the CBC and professor of English at the University of British Columbia. The chief virtues of the book are its thorough research and its honesty. Clearly an admirer of Cohen's work, Nadel is unstinting in his depiction of his subject as one who has "led a life of unfettered romance, largely free of obligations or responsibility." From Cohen's precocious childhood in the Jewish community of Montreal through his years as one of Canada's most promising young poets, to his intermittent career as a sort of lugubrious rock star?"the prince of bummers"?the artist comes across as egotistical, charming, dilettantish and moody, swinging wildly between vainglory and self-pity. He was an improbabale singer: even Cohen compared his voice to a bumblebee?in theory it shouldn't fly, but it does. The melodrama of his life seems manufactured to fit his gifts as both singer and songwriter, but these talents are difficult to evoke in prose, and Nadel isn't likely to convince anyone who isn't yet a fan of Cohen's abilities. The faithful, however, will light scented candles as they follow the well-traced turns of the artist's life. Photos.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Canadian poet/singer/songwriter Cohen has had an unconventional career, culminating in pop music stardom at the age of 54. Nadel expands on his earlier Leonard Cohen: A Life in Art (ECW Pr., 1994) and updates Loranne S. Dorman & Clive L. Rawlins's Leonard Cohen: Prophet of the Heart (Omnibus Pr., 1990) in this biography, which was "benignly tolerated" by Cohen, whose somber songs have been described as "music to slit your wrists by." Nadel used interviews with Cohen and his friends and extensive excerpts from his prose, poems, letters, and lyrics to reveal insights into Cohen's enigmatic life and career. Obsessions with beautiful women, bouts of depression, and an ascetic exploration of Zen Buddhism are all recounted. Occasional factual errors (e.g., Nadel implies that Judy Collins composed her Joni Mitchell-penned hit "Both Sides Now") do not prevent the book from being the most authoritative work yet on the "poet laureate of pessimism." Recommended for popular music collections of public libraries.?Lloyd Jansen, Stockton-San Joaquin Cty. P.L., Cal.
Copyright 1996 Reed Business Information, Inc.
From Booklist
Leonard Cohen was once a familiar figure on the pop music scene. Some held that his monotone delivery and the ethereal lilt of his verses made him a rock and roll troubadour or a modern Shelley. Others found him a mopey old poet trying to co-opt rock for the usual rewards: money, drugs, and chicks. Perhaps both views were right, but now that his ubiquity has passed (heard "Suzanne" much lately?), it's easier to see him as an artist of some depth and intensity. He was already an established novelist and poet when he started recording in 1967, so Nadel's study is fittingly more a literary than a rock bio--quiet of tone, serious without being worshipful. Drawing on Cohen's own archives, Nadel plots aspects of Cohen's life--Zen, love affairs, drug use--against the evolution of his writing. He fashions a biography that is revealing but also remindful of its subject at his best. Mike Tribby
Most helpful customer reviews
15 of 17 people found the following review helpful.
Scratches the surface but draws little blood
By h,s (s h)
The book is readable -- not exciting but not an academic drudge either. This is important because Cohen, as opposed tothe book, is not so readable. On the other hand Cohen is such an interesting chap, and such an remarkable modern literary figure, that any decent book about him, including this one, is going to be intersting.
The book overall follows the biographic customary timeline of past to present, starting with ancestors a few generations back. However,within any few pages Nadel jumps in time more than Billy Pilgrim, so one minute you might be reading about something that happened in 1975 and a few later you're reading about something in 1969 and in a few more pages and it's 1978. It's often necessary in a biography, while discussing events in one period, to reference related matters from another period. A biographer like, say, Marion Meade, handles this sort of thing with aplomb. In Nadel's book, while sometimes there seems to be a thematic point underlying Nadel's schenanigans with the timeline, at worst it is unnecessarily confusing and at best it is disruptive. Another draft was in order.
Generally, the farther back in the past the book reaches, the more info it has to offer, and the overall effect of the book is to leave you wanting more information, especially about the last 30 years of Cohen's life. E.g., Nadel tells you in a few sentences that Cohen was recently defrauded of millions of dollars, his life savings, but doesn't say anything about how the swindle took place -- did Cohen by a time share on Mars? was Cohen preoccupied while someone simply ransacked his bank accounts? And afterword was added a few years ago to catch up on what's happened since the book was written. This add-on is presented as an "afterword" but is more like a footnote in large type, as it briefly rushes through several years of some very important events, leaving off with the noting that a tour is being planned for 2007 -- which, of course, we now know turned out to be the biggest and best received tour, worldwide, of Cohen's career. A better afterword would have taken some time to add an actual chapter or two or, in lieu of further research and writing. One might have hoped that Footman's newer biography with the obvious title, Leonard Cohen: Hallelujah: A New Biography, (slated for publication in November 2009) would take care of this, but alas , does not.
Nadel does a good job of tracing familial and academic roots and associations, which helps to show how key they are to Cohen and his work.
On the other hand, on a thematic level, Nadel repeatedly tells the reader that Cohen is depressed and suffering (big surprise if you read his poems, prose or heard his songs), but you don't really get anything new on why he's depressed or what he's suffering from -- except for this: he likes women but isn't comfortable being "tied down" -- Well, a song or too and you could figure that out. You do learn the names of folks in Cohen's life, including those mentioned or alluded to in songs or poems. You also are told often that Cohen used drugs but you never really get a good idea how much or how often -- as spaced out as Carrie Fisher? potted as Betty Ford? comfortably maintaining the appearance of sobriety like Dick Van Dyke, or just a chronic dabbler?
Nadel does go some distance to tie together Cohen's lifelong interest in Judaism and decades long interest Zen. And that might be the most depth that the book has to offer.
You will know more about Cohen, including more details, after reading this book, but you probably won't feel like you've read the definitive account of Cohen's life and career. But Cohen is such an interesting chap, and such an remarkable literary figure, that any decent book about him, including this one, is going to be intersting.
If you are interested in Cohen, the book is worth a read. However, you may very well feel that you have better understanding of Cohen from his poems, novels and songs than from this biography, which ain't necessarily a bad thing.
1 of 5 people found the following review helpful.
Leonard Cohen History
By Vynophile
Very insightful reading about a very gifted writer and performer of poetry and music. Also provides interesting details of personal life experiences of life during the sixties and seventies. An interesting view of the development and maturation of a genius.
1 of 9 people found the following review helpful.
i loved the book
By Barbara R. Guada
he is the greatest poet in forever and fab singer, enjoyed it was a gift and that person loved it. the book was in great condition
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