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In Egypt, singing and dancing are considered essential on happy occasions. Professional entertainers often perform at weddings and other celebrations, and a host family's prestige rises with the number, expense, and fame of the entertainers they hire. Paradoxically, however, the entertainers themselves are often viewed as disreputable people and are accorded little prestige in Egyptian society.
This paradox forms the starting point of Karin van Nieuwkerk's look at the Egyptian entertainment trade. She explores the lives of female performers and the reasons why work they regard as "a trade like any other" is considered disreputable in Egyptian society. In particular, she demonstrates that while male entertainers are often viewed as simply "making a living," female performers are almost always considered bad, seductive women engaged in dishonorable conduct. She traces this perception to the social definition of the female body as always and only sexual and enticing—a perception that stigmatizes women entertainers even as it simultaneously offers them a means of livelihood.
- Sales Rank: #1151186 in Books
- Published on: 1995
- Original language: English
- Number of items: 1
- Dimensions: 8.95" h x .64" w x 6.00" l, .88 pounds
- Binding: Paperback
- 240 pages
Review
This fascinating ethnography of professional female entertainers in Egypt brings together issues and ideas relevant to dance, anthropology, ethnomusicology, gender studies, and area studies.... By providing new insight into historical, political, economic, religious, and cultural forces, van Nieuwkerk accounts for the ambivalent attitudes towards female professional performers in Egyptian society as well as the way they cope with their status. (Ethnomusicology)
From the Back Cover
In Egypt, singing and dancing are considered essential on happy occasions. Professional entertainers often perform at weddings and other celebrations, and a host family's prestige rises with the number, expense, and fame of the entertainers they hire. Paradoxically, however, the entertainers themselves are often viewed as disreputable people and are accorded little prestige in Egyptian society.
About the Author
Karin van Nieuwkerk is an anthropologist and professor of contemporary Islam in Europe and the Middle East at the Radboud University Nijmegen.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Wordy but full of good information.
By Amazon Customer
This book is packed with a great deal of first hand interviews, and really does get into some of the complicated Cultural shifts that Egypt went thought that impacted the Rise and fall of Dance in Egypt. Unfortunately, the author uses 3 words wherever 1 or 2 would suffice, and repeats herself often. The book would be greatly improved by a good copy editor.
The contents are worth the effort. I think that this should be required reading for anyone studying Dance anthropology or seeking to study Bellydance.
7 of 10 people found the following review helpful.
The best on its subject
By Cynthia
Too many books about Oriental/belly/Middle Eastern dance lean toward fantasy rather than scholarship. Van Nieuwkerk's book explores the seemingly paradoxical love-hate relationship many people have toward Egyptian belly dancing and dancers and details the history of the dance over the past few centuries.
26 of 28 people found the following review helpful.
Essential to understanding all aspects of Egypt
By A Customer
This is a fabulous and unique book which should be read by all scholars of the Middle East. Because entertainment has been so central to the identity of Egyptians this is an essential read. The author provides fascinating insights on the construction of gender in Egypt, the public/private realm, the complex web of morals and the role of dance and music in political development. This is worth twice it weight.
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