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A unique anthology of articles on contemporary sculptors drawn from the 25-year history of Sculpture magazine, A Sculpture Reader offers a valuable overview of three dimensional art since 1980. Focusing on individual artists rather than themes or movements, the 42 essays in A Sculpture Reader capture the wide-ranging possibilities that characterize contemporary sculpture.
- Sales Rank: #1219458 in Books
- Published on: 2006-05-31
- Original language: English
- Number of items: 1
- Dimensions: 9.15" h x .59" w x 6.52" l, 1.32 pounds
- Binding: Paperback
- 292 pages
Review
"A Sculpture Reader" provides a fascinating overview of the development of sculpture since 1980, revealing key issues and artistic concerns that have carried through from the late 1960s to the present. This rich anthology of essays by a diverse set of authors presents a progressive view of critial thinking and the multivalent approaches to contemporary sculpture reflected in the works of Ann Hamilton, Olafur Eliasson, Jorge Pardo, Atelier von Lieshout, Karin Sander, and many other artists from around the world.--Olga Visa, Hirshhorn Museum and Sculpture Garden
Review
"A Sculpture Reader is likely to be the definitive survey of contemporary sculpture. Virtually every sculptor of consequence is discussed in depth. The essays are clear and to the point. Highly recommended."―Donald Kuspit, SUNY at Stony Brook
"A Sculpture Reader provides a fascinating overview of the development of sculpture since 1980, revealing key issues and artistic concerns that have carried through from the late 1960s to the present. This rich anthology of essays by a diverse set of authors presents a progressive view of critial thinking and the multivalent approaches to contemporary sculpture reflected in the works of Ann Hamilton, Olafur Eliasson, Jorge Pardo, Atelier von Lieshout, Karin Sander, and many other artists from around the world."―Olga Visa, Hirshhorn Museum and Sculpture Garden
From the Publisher
"A Sculpture Reader is likely to be the definitive survey of contemporary sculpture. Virtually every sculptor of consequence is discussed in depth. The essays are clear and to the point. Highly recommended." -- Donald Kuspit, SUNY at Stony Brook
"A Sculpture Reader provides a fascinating overview of the development of sculpture since 1980, revealing key issues and artistic concerns that have carried through from the late 1960s to the present. This rich anthology of essays by a diverse set of authors presents a progressive view of critial thinking and the multivalent approaches to contemporary sculpture reflected in the works of Ann Hamilton, Olafur Eliasson, Jorge Pardo, Atelier von Lieshout, Karin Sander, and many other artists from around the world." -- Olga Visa, Hirshhorn Museum and Sculpture Garden
Most helpful customer reviews
8 of 11 people found the following review helpful.
Establishment View of Contemporary Sculpture
By Russ Thayer
Contrary to the relentless propaganda proffered in these essays, it seems to me that nearly all the sculpture, herein represented, is disconnected from life, from history, from the modes of inquiry and resolution that are the intellectual substance of civilization. The expositions are misleading in that there is no association between the explicators' claims and the "artifacts." The artifact, in this milieu, has been reduced to little more than an armature upon which to drape the apologist's presumptions. The verbal constructs supercede the reality of the artifact, rendering all such constructs baseless. Criticism, in this context, has degenerated into hyperbolic acclaim. Since this stuff has gained the support of wealthy individuals who are willing to pay dearly for the flattery of A-list purverors, it has a presence. As documentary, this book does a fine job of presenting the horizons and character of this era.
In the interest of balance, a book to read concurrently would be Don Thompson's THE TWELVE MILLION DOLLAR STUFFED SHARK: The Curious Economics of Contemporary Art, in which he examines the business practices of the Contemporary Art World's enablers and their role in its enfranchisemet.
28 of 37 people found the following review helpful.
Breaking the Mold: Contemporary Sculpure and the Nature of Reality
By mostserene1
This collection is a work of astonishing intellectual insight and viscerally affecting beauty. The authors authoritatively, even brazenly, examine the way contemporary artists reconceptualized perceptual reality through sculpture. It is the contemporary sculptors who shattered the idea that sculpture must in some way represent the human body - an idea that persisted for millenia - and reimagined it as a mechanism to explore dearly-held cultural and social conventions. The works of contemporary sculptors as reflected within this book have accomplished no less than the dislimning of the traditional boundary separating art and sculpture. Thus they have been freed to deploy unexpected visual tools to implicate the viewer in a dismantling of the insidious constructs that shape our consensual experience. Plainly put, you will view the world differently after reading this book.
In short, this is a MUST READ both for intrepid explorers of the nature of perceptual reality and lovers of art. For all others, it is HIGHLY RECOMMENDED. For those who tenaciously cling to tradition - those conventional, orthodox, ideologically conservative readers, well, come on, take a walk on the wild side (it'll be our little secret).
0 of 0 people found the following review helpful.
Interesting read for quick overview
By Jens Zorn
An interesting book; covers a wide range of sculpture; articles well written, with no more than the usual amount of artspeak. It would have been good to have
(A) the dates when the articles were written and a citation to where (presumably in "Sculpture"?)they originally appeared in print.
(B) a brief note giving a bit of information about the author of the article
(C) an index (though I realize that preparing this would add significantly to the editorial costs
finally, I found the typography (the use of a sans-serif font and the extreme leading) made for less-than-comfortable reading.
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